Showing posts with label Factoryroad. Show all posts
Showing posts with label Factoryroad. Show all posts

Tuesday, November 18, 2014

Stories & Hot Cocoa.

As you might be able to tell from time to time, running a very full-time illustration business is hard work and occupies the majority of my hours.

However, there is and always has been a constant urge to do things which fall slightly outside the description of ‘illustration’ - making things, putting on club nights, doing radio, giving talks, designing and hosting shows and events. These things come under the banner of Factoryroad. Doing these things is extra hard work of course and occupies the rest of whatever hours we might have free for things like telly and reading…but when they happen, they are magical and worth every sleepless night.

With my partner Leigh we hosted a Buddy Wakefield show a couple of years ago (which you can read about here) which was received with glowing - nay throbbing - feedback; warmth, tears, surprise and emotion (as one of the artists participating, below is my piece made in response to one of his poems, ‘Battle Magnet’.). We are happy to say we’re having Buddy back on December 1st for a special gig at The Silver Arcade in Leicester – one of only two original four-storey Victorian arcades in the country – as he stops off in Leicester on his ‘Riled Up And Wasted On Light’ tour.

In this beautiful setting Buddy will be performing his distinctive and very universal brand of poetry live with two support acts from the local area, and on the night freshly made hot cocoa will be supplied to every guest – dairy or non-dairy – courtesy of Silver Arcade resident and manufacturer of very fine chocolates Cocoa Amore. After you’ve watched the gig, you can mooch around the Arcade’s shops looking for ways to spend the £5 voucher that’s also included in the ticket price, in the Arcade’s very Christmassy surroundings. All for the disctinctly un-princely sum of £10.

Nice eh?

If you never came to our first Buddy Wakefield show and want to know more about him, well, we find these words taken from his biography are a good place to start:

“Buddy Wakefield, who is unconcerned with what poetry is or is not, delivers raw, rounded, disarming performances of humor and heart.”
A quick YouTube search for his name will yield an abundance of his live performances – sometimes moving, sometimes heart-rending, almost always funny – to give you an idea of what to expect.

You’ll be able to buy his books, recordings, T-shirts and other goodies at the event, which starts at 7pm.

This is the first ever event we’ve put on as Factoryroad where we have had to charge entry, in order to cover the associated costs, so please do support us and the local scene by coming along!

Book tickets here
https://factoryroad.net/shop/products/buddy-wakefield-ticket/

The Silver Arcade
Silver Street
Leicester
LE1 5FA

buddywakefield.com
thesilverarcade.com
cocoa-amore.co.uk




GLOW IN THE DARK!

Not only have we got an event coming up and the new Christmas cards, we’ve just added nine new colours to our 45rpm adapter range AND launched these new ones which GLOW IN THE DARK!

That’s right, GLOW IN THE DARK.

Only existing as a rumour before now, these innocent-looking natural coloured adapters turn a proper lumo green when plunged into the dark of your club, bedroom or other murky musical space.

They’re here if you want to see them/buy some for the 7” nutter in YOUR family.

(Now do you see why there’s no Inkymole Christmas Shop this year?)




Sunday, January 02, 2011

Home-made

What is it about celebrations that bring out the creativity in everybody?

This year I had a significant birthday and a Christmas where we cooked for the whole family for the first time. That 9-course extravaganza is dealt with in another blog, but I've spent the last few days soaking up the goodness that's flowed my way over the last couple of weeks, at times feeling a bit overwhelmed by it. Every day, something has appeared at the door in an envelope, or in the hands of the person who made it, which delighted us in its originality and - at the risk of sounding uncharacteristically sentimental - the love it brought with it.

First there was our friend Lisa, who took a handful of our dinks and turned them not only into jewellery but into tree decorations and a Christmas card to be hung on Tom Hare's improvised Christmas trees. These are sure to come out again every year - and will hopefully find their way into the shop.



Following in the creative footsteps of his turntable-and-pencil-wielding Dad, this little boy had his first piece of work published on this enthusiastic Christmas card. We're assuming it'll be his twin brother's turn next year! Go Alex!
Michael, creator of the Inkymole website, made this birthday card from him and his wife Anna (whose yoga classes keep me on the straight and narrow) with the sort of gleeful crayon-work usually reserved for the under-10s - and if the pop-up sunflower and effervescent ladybird weren't enough to have me beaming, it's the sentiment expressed that I love:


And our friend Jed Smith, master chef and food designer for all Inkymole's creative events, even found time to manufacture and post this card between Christmas shifts at his brand new job in New York at Momofuku. The lad's only just moved there, on his own hence the picture. You'll be hearing more about Jed later.


Now. Birthdays in our family come with a cake, regardless of what age you are, which is always made by my Mum. Since this one was 'a particular number', she was tasked with making one which was more about spectacle and flashness than flavour - although, it's impossible for Mum to make a cake that isn't delicious. After a series of experimental cakes tested on Dad's harrassed girth, this one, kept secret till the day, strode into the house in a giant box, showing off its three vegan tiers of strawberry, vanilla and chocolate sponge, and laying the smack down with its fantastically girlish icing. There's a bit left, if anyone wants a piece.

The cake next to its creator. Yes, it is holding up those girders!

There was a companion piece to this creation which came from The Woods - no, not emerging from a dark clearing among trees, although it could have - but from our friends Simon and Caroline Wood. In the shape of a Mole wielding an ink pen, it was a phantasm of insulin-panicking icing and manic Allsort eyeballs; all-chocolate, and largely consumed there and then in the brewery. The cake was a reply to one I made for Simon on his 21st - 15 years ago - which you can see here.

The birthday brought presents of course. I'm not hard to buy for - there's a handful of criteria, but really, if it's sparkly, pretty or hand-made, sounds good or I can eat it, you can't really go wrong. However I was unprepared for the lump in the throat and the thinly-disguised tear to the eye triggered by this, from one of my two best friends who is just three weeks younger than me, knows all my haircuts including the 80s perm series, and has been critic, colleague and sidekick for years. It's not hand-made, but the phrase is hers, and means a lot since we live just a ten minute walk away but sometimes struggle to find each other in the fervour of our day-to-day lives. It's going to live on my desk, to remind me I only have to run down the street if I feel like a chat. (Jules' Mum and Dad bought me a Sindy, but you'll see her another time!)

Birthdays also bring a healthy amount of subterfuge. A giant 'hats off' goes to Melanie Tomlinson, my other BFF, for managing to stay quiet about these. Commissioned by my Mum and Dad, she made these, her first pair of earrings, in collaboration with a local jeweller, via a series of undercover trips to their house and furtive emails to and fro with designs attached. They took my breath away.

In their own hand-made box bearing a quote from Emily Bronte - who Mel knows is a pivotal influence on my early work - they're hand-cut from tin and covered with Mel's tiny gouache paintings.





Each piece - two birds, two flowers, two butterflies, a mole and a dragonfly - was strung together by the jeweller, and are finished with a little jewel. A bird appears to hold each earring aloft by its beak as you open the box.
There were, apparently, other designs - I'm chasing those down, as I can't live with the idea that they remain unmade.

There's no receipt for these objects, nor could I get one; and there were obviously many other objects and acts of thoughtfulness - the hamper filled with vegan goodies and notebooks, the sparkly yoga gear, the running shorts, the fabric-covered Wuthering Heights, Charles Darwin, the Angela Carter edition - that I can't fit on the blog. But they've filtered osmosis-style through the last couple of weeks, as little representations of the people who made them, to colour the days like brightly-coloured inks in fresh water.

Tuesday, October 05, 2010

Factory Town.

All my life I've lived near a massive knitting factory. I thought that was a long time, but in fact there's been a factory on the same site since 1722.

You see part of the reason I decided to stay and work in this town where I grew up - apart from the low cost of living, proximity to Shakespeare, family/best mate and rich countryside - is that it has a thoroughly industrious vibe, being the core of the UK's hosiery industry and populated by two things: factories, and pubs (we had 133 pubs near the turn of the century - the number of factories I'm less sure about). That vibe has permeated our workspace and work ethic, our home having always been our own little factory - hence Factoryroad . Our new studio has been careful to reflect the factory-heavy street we live in, and the many years the people living here have spent working early mornings and late nights, watching the workers clock in at 7am and out at 4, with fag breaks rigorously observed in all weathers.

This massive factory is known locally as the Atkins building, but is actually called the Goddard Building, and is a beautiful example of solid, elegant Grade II listed architecture built in 1875, just a few years before our house and the factory built behind it (our house was built for its owner, Mr Thomas Ironmonger, Chairman of the Urban District Council).

The Goddard Building has recently been saved from the insurance-arson/dereliction/lunatic-bulldozer which our council is sadly renowned for, and subjected to an impressive transformation into a new creative centre and part of the new art school. The art school, originally in the next town, is decades old, taught both my uncles, and was the place I taught part time for six years as a fresh and enthusiastic graduate. The new building I can virtually see from my window, which will make guest lectures easier in future, and will bring much-needed energy to an area beset by neglect and a declining pub trade.

I went to the building's opening last week, and took some pictures. I think they've done a handsome job, and feel pleased that such a massive endeavour has been channelled towards the arts, rather than yet another sport venue/takeaway.


















Some links for further reading:

http://www.britishlistedbuildings.co.uk/en-495021-atkins-brothers-hosiery-factory-hinckley
http://www.creativehinckley.co.uk/atkins-building/
http://www.creativehinckley.co.uk/
http://en.wikipedia.org/wiki/Hinckley (we're in the Domesday book)

Tuesday, April 14, 2009

Nobody asks you any questions for ages, then 3 interviews come along at once!

I seem to have found myself being asked a lot of questions lately, so here are the links to 3 different interviews:

Alt Pick


Factoryroad

Justine Brilmyer - This one is the most indepth and may give more insight to my life as an illustrator for anyone who is interested in such things.


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